Project Proposal:
Originally, my project entailed the evaluation of critical reviews of Leaves of Grass and how they matched up
to current reviews and academic appreciation of Walt Whitman’s life work. While reviewing some of the reviews, many
were harsh and quick to deject the material as obscene, rubbish and not worth
reading nor considering. However, after looking over and meditating over his
work, as well as acknowledging the magnitude of influence LoG has had on American culture, we know better. There was no way
illustrate this dichotomy, and really I wanted to provide some artistic
expression of what I learned and assimilated into my college learning and
appreciation of literature. (I’m sorry, this is sounding like an essay.)
I wanted to create a commentary of what I thought of Leaves of Grass by writing a creative
piece that reflected upon Whitman’s work, and what I learned from it. I wanted
to include some of the various motifs and themes, while modernizing some of his
ideas into a language that we could all understand readily (because we all know
Walt loved the sound of his work.) More so than anything, I wanted to twist the
poem a little to cast a reflection of what America is dealing with now and how
it relates to some of the issues Whitman was trying to comment upon. I decided
to reference A Song for Occupations.
Occupy
there is a smile that you see but cannot
feel, that you pay for
and accept with my services. you look down
and in your gifted vehicles
demand for my offers, and I offer with my
smile, which is caked thick
there is willingness and there is
reluctance and I give you both
the thoughts you have of what you know and
what you’ve heard
are amazing to most, but not to me. they
land upon me like pox of pollen
and though you spread your consciousness
electronically for strangers
to acknowledge the nakedness within your
metal shell, you become entranced
by the chirp of birds which flees from your
Ambercrombie pockets.
and there is nothing more naked than
your privacy, which is taken and sold by
those
that provide for you a means to communicate
in complete isolation
I don’t want to be one with you, or anyone.
No one truly knows anyone, if they are
struggling to find themselves
and from zygote to infant as you spring
from the womb, and crawling
into a crooked stature, old and useless,
you’ll make your claims to
having established something of a legacy.
And though you’ll fight to
deconstruct cliches, you’ll become: dust in
the wind, swirled into heaven
dragged across the cosmos, passed into the
negative space and into the red sun.
there are equals and there are those that
serve you as they rule over you,
bending you backwards until the back of
your head is pressed against your heals
and they’ll stamp their coaster on your
stomach and slam their drink hard in laughter
who knew running a country involved running
a ranch of sheep, or stumbling through
ninety rounds of golf, while the elderly
read VOID on pension checks and their unborn
children are buried with a debt they must
pay, though they could never witness
your digital hancock stamped with your
print on some god awful election.
you are still going to crack your jokes
about the world costing twice as much, even though
tears spring up beneath your eyes, poured
within your cheeks and roll down your throat, because you sold children further
and further into financial slavery.
And beckoning for an answer which you might
find if you bruise your knees on a cedar pew
and karate chop your nose with eyes
clenched shut, or demand it from the other ninety nine beggars, who are asking
the questions, you might hear them murmur a word if you tug on a robe and have
faith like a man who believe solemnly that there is only an artificial God.
those caked in their liberal propaganda
hold hands with gun-toting fascist and speak a word that can be said but never
spelled nor heard or accepted: education.
But you thought educators were never worth
paying nor admiring, they worked a job and though they drilled shreds of
recycled knowledge, praying for change, you fastened to hope that they would
live better through easier means, that American opportunity, would hunt them
down and beg them to be found.
and even though you sold it long ago, for
some comfort and a few spoken words which soothed your old man colic, you will
demand it for your children though you know that, like the cake, it is a lie.
we live in a America where old fellows
working at farms are illegal beings
if anything. You shower rumors of freedom
and civility though you pelt them with pejoratives and douse DDT and ignorance
upon their offspring. They have no rights, as you own them, through the produce
you stir fry and clothes you wear assembled in humid shops buried within
third worlds
and though you will fight for them,
occupying a land you stole from several others, you will stomp on their very
necks, jabbing the share-the-wealth picket in their eye socket, and you might
notice, though you won’t.
Class Evaluation:
This class was not only very immersive in discussion and lecture, but
also technically impressive. I’m not one to flatter, but I was honestly
impressed by the way you involved Google docs, blogger and twitter. The
structure in which all of the assignments were well organized and provided an
avenue for honest reflection of the course material while also maintaining
focus of the subject at hand. Another
thing that I found highly useful while delving into Whitman were the resources
you allocated via various links. The only issues I had with this course were
merely personal, as time management is a problem that I am still working on.
I’ve never been fond of twitter and some streamlining with the mother blog
would have eased the complications of navigating another web media for an
assignment. All in all, I thoroughly enjoyed your class and only wished I could
have given it my 100%, because it was honestly the most technically impressive
class I’ve taken thus far. Thank you for making Whitman enjoyable Professor
Hanley.
Peter
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